Dan and Myra Barclay, on vacation in Monte Carlo, are forced to cut short their European visit when Dan is ordered by his company to take charge of a gold mine in South America. Having once experienced the sweet life, Myra can no longer tolerate the rough monotony of life in the mining country, and she runs off with Señor Ortego, the owner of the mine. Myra soon realizes that Ortego's intentions are dishonorable and she decides to return to Dan, but on the way home she is in an accident and loses her memory.

Two bored Montreal housewives (Monique Mercure & Louise Turcot), with inattentive husbands (Marcel Sabourin & Donald Pilon), and lots of time on their hands, amuse themselves by paying the local tradesmen something extra to give them amorous attention. Their entertainment leads to frantic confusion, however, when one of the visiting gentlemen - shall we say - 'expires'. The housewives deal with their unpleasant situation quite energetically.

An adventurer searches for the fabled Golden Cities of El Dorado and allies himself with a tribe of Amazon women against a murderous villain who is also after the treasure.

A documentary that tries to understand women. About how a hard-working Soviet woman may not achieve the so-called bonus points in sex life.

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With American farms disappearing, a fourth-generation dairy farmer and his granddaughter fight to preserve their way of life. Facing foreclosure, they wager everything on their beloved Green Bay Packers in a Hail-Mary effort to save their little chunk of dirt.

A sprawling story of love and loss, as reflected on a single face. Tiny pieces that, when cobbled together, hint at a much larger picture. The larger picture being a woman’s life. Observed through the decades. Centuries, even. You know. A comedy.

A roundtable conversation was recorded for television in 2007 at the Stockholm International Film Festival.

David, a door to door makeup salesman, falls in love with Sarah, an aspiring photographer, who supports herself as a stripper. In an attempt to impress each other they find themselves entangled in a web of lies, rumors, and misconceptions.

Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.